Swans and flowers and tutus oh my

 I haven't posted for a while due to the large amount of work I have had on recently.
After finishing the Civil war ball gowns I had to hustle to full fill an order for Swan lake bodice overlays and plates for a customer, make a dress, veil and hats for my brother's wedding, sew 20+ costumes for a local dance recital, work on a gold metallic tutu for a customer and work on an enormous number of alterations.
First things first. A customer contacted me about Swan lake tutu decorations. I began by drawing a number of sketches for the customer so that she could choose what she liked and could afford.

Sketches of bodice overlays.

After that I ordered the rhinestones (Rhinestone guy's premium hot-fix crystals which are awesome), selected trims, cut the bodice overlay shapes, cut out 164 fabric "feathers" and the wing shapes.

fabric "feathers" for San lake plates

To make the bodice overlays, I pinned then sewed a false nude panel and silver rim onto netting, then glued hackle feathers and applied hot-fix rhinestones.

Swan lake bodice decoration overlays

To make the swan wing shaped decorations, I pinned and appliqued the feathers to heavy duty interfacing shapes, sewed this onto netting plates and applied the hot-fix crystals.

One swan lake tutu plate.

The basic technique and patterns for these tutu decorations are described in Claudia Folts book: "Finishing touches".
Next I worked on several items including a 1920's inspired wedding veil for my brother's wedding. I will write a separate post on that.
Next I worked on a large project of 20+ costumes for a dance recital. The theme of the performance was the parable of the sower and the seeds. The smallest children in the recital were to represent seeds being planted in the earth and then sprouting into beautiful flowers. My idea for the costumes were earth toned t-shirt, tights and tutus with petals that would drop down to "reveal" tulips, roses, sunflowers, daisies, clover and morning glories. The middle group of students were to be dancing princesses and the oldest dancers were to represent a gardener tending flowers (hyacinth and lavender).

fabric petals for 9 children's sprouting flower costumes

For the little children's costumes I ruffled large amounts of earth toned tulle, which I sewed to elastic waists, over which two rows of brown and colored petals were stitched. Ribbon loops were attached to the brown side of the petals, and when they were tied up with ribbon, the children looked like little brown seeds. Once the ribbons were untied, the petals dropped down to reveal their "true" colors.
For each of the dancing princesses I made flowered circlets with hand-made ribbon flowers on them, and tulle and ribbon streamers (the technique for this is also described in Claudia Folts' book, "Finishing touches").

Flowered "princess" headpiece with ribbon work flowers

For the dresses I drew out a new pattern combining elements from an old "Gunny Sachs" and "Daisy Kingdom" pattern. The dresses were made of pink, lavender and cornflower blue crepe with wide chiffon "princess" sleeves.

The beginnings of six "princess" dresses

Finished princess dress with headpiece

Lavender dress

Cornflower blue

For the oldest group of dancers, I made two Romantic length "petaled" tutus, with green tights, and top and for the gardener a yellow cotton and chiffon dress. The dancers representing the flowers had green velvet and ribbon work headbands, while the gardener wore a purchased straw hat. To reduce the fullness of the petaled tutus, I quilted the tulle along the hip line.

"Hyacinth" petaled tutu

"Lavender" petaled tutu

Green velvet and "lavender" ribbon work flowers

Finally I received an order for a custom made, gold metallic tutu. I loosely based the coloring and design on the Gold Fairy tutu I had made for a performance of Sleeping Beauty.  Key difference were that this tutu did not have as many layers of double hand pleating in it (three layers instead of 6), used some gold metallic mesh, a different type of enhanced sparkle net (purchased from Tutu.com) and a black basque instead of a gold basque. 

Gold mesh and gold enhanced sparkle nets

Original design + notes for the "Gold" fairy from Sleeping beauty

As for the original tutu, I did dye some of the tutu net and the pants a rich gold. I also, spray painted plastic tacks with gold metallic paint to hide them during tacking.

Bottom of tutu with hand-pleated god mesh and dyed to match panties.

The finished tutu looks very even and will be going out to the customer in the next day or two.

 

Completed gold tutu with black powernet basque

My plans for this summer are to work on custom leotards (I will post about this soon as I have started on the first 4 samples), go to Tutu.com's tutu school again (this time to learn men's costuming) and finally work on building some rental costumes for the fall.