I will be posting more about those headpieces and their creation soon but am waiting for permission from the customer to share photographs and details of these headpieces.
About the same time, I was contacted by another customer who needed a headpiece for Princess Florine (the female role in the Blue Bird Pas de Deux). The dancer sent me a photo of her tutu so that I could get a feel for the style and colors she was looking for.
I love making all types of millinery so I decided that a little feathered hat would be just the thing.
I found a beautiful lace at Lace-Mart; the lace is a silver leaf shape but it could also pass for a "feather" shape, especially with a little embellishment.
silver lace from Lace-mart |
blue and turquise feathers |
Shiny fabrics like satin brocades often do not look good on stage; they reflect too much light or reflect it in an unflattering way and in some case have a "plastic" look to them under the stage lights. I turned the brocade using the reverse side, as this had less sheen but did have the lovely blue and silver threads that I wanted for the headpiece. For the base I use 100% wool felt, because it can be shaped and blocked with steam and also can be stiffened with special millinery resin (Hydrolac-B purchased from Hatsupply.com). Some of the feathers were wired onto millinery wire and part of the shape was wired as well so that it could be adjusted and tilt up a little, giving the hat more height and interest. It also meant that it didn't look as if a bird had sat down and died on the dancer's head!
Using the silver lace, crystals (both sew on and hot fix Precosia and Swarovski and one large cut glass center jewel) and wire a lovely focal jewel and plume were made.
After steaming and blocking the little "hat" looked very chique on my poupee Ruby.
Front view of Blue-bird headpiece |
side view of Blue bird headpiece |
"Princess Florine and her Bluebird on stage" |
Princess Florine and her Bluebird on stage |